Eduardo Tercero, Voice Teacher
Eduardo Alberto Tercero, tenor, a native of Panama City, Republica de Panama, is described as a “dashing” performer by the Houston Chronicle and was also listed in Symphony Magazine’s Guide to Emerging Artists.
As a concert artist his credits include the World Premiere of Nicholas of Myra by Robert Nelson in the role of Marcus, Piacere in the Houston Premiere production of Handel’s Il Trionfo del Tempo e della Verita, Adamo in the Houston Premiere production of Il Primo Omicidio by Scarlatti, Messiah by G. F. Handel with the Des Moines and La Cross Symphony Orchetras, Houston Chamber Choir and Bethany (KS) and Augustana (IL) Colleges, Montiverdi’s Vespro della Beata Vergine 1610 with Ars Lyrica Houston in conjunction with both the Houston Chamber Choir and Orpheus Chamber Singers of Dallas and his Houston Symphony debut as the Narrator in Copeland’s The Lincoln Portrait.
Most recently he has appeared in the Music Box's production of Godspell in the role of John the Baptist/Judas, the Houston Premiere production of Adam Guettel's Myths and Hymns with A Bit of a Stretch productions and as lead ensemble member of the Premier production of Defy Gravity: A Stephen Schwartz Songbook with Standing Room Only productions.
A past member of the Houston Chamber Choir under the direction of Robert Simpson, he will be continuing in his 3rd season with Cantare Houston under the baton of Amy Solberg.
He is a frequent soloist for Ars Lyrica Houston under the baton of Dr. Matthew Dirst and Mercury Baroque under the baton of Antoine Plante. He can also be heard in the Newport Classics' recording of Cassanova’s Homecoming by one of America’s leading composers, Dominick Argento, and is the tenor soloist for the World Premiere recording of Giovanni Paolo Colonna's Psalmi ad Vesperas (1694) now available from MSR Classics. He can be seen next in the role of Franky in Forever Plaid.